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Communication Officer

Amplifying the added value of live music scenes for Europe

Apr9

Live DMA’s 2019 EP elections statement As part of the Live DMA 2019 EP elections’ campaign, we released a statement aimed at MEP candidates and policy-makers. This advocacy tool for live music venues, clubs and festivals asserts the values and goals shared by our network and affirms our position...

Live DMA supports the creation of a Portuguese venues & club association

Apr3

At the occasion of MIL – Lisbon in March 2019, Live DMA met a delegation of music venues and clubs from Portugal. On behalf of Live DMA board members, we would like to applaud the on-going process of gathering voices and strengths of the participants to set up a...

Yourope Members Survey

Apr2

Yourope, association gathering nearly 100 festivals and live music events in 26 European countries, published the results of their 2018 members survey. This survey investigates the general setting of their member festivals, gives insight on the events’ audiences, explores their European dimension, and analyses the structural and economic settings...

UK Live Music Inquiry Report

Mar20

The UK Digital, Culture, Media and Sport Committee released their live music report and we welcome that it puts a particular attention to the smallest and most fragile live music venues and clubs. One of the key messages of this report coming from the government is to protect, secure...

LSE Podcast – March 2019

Mar5

In this 5th Live Style Europe radio show: – Interview with Marc Steens from Clubcircuit, one of our two members in Belgium – Feedback on the first session of our Live Style Europe working group “Music is not noise” Information mentioned: World Health Organisation noise guidelines for the European...

“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”

Hilma Kekkonen, Svensk Live - (Sweden )

“It’s all about sharing and cooperation!”

Boris Colin, FEDELIMA - (France )

“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”

Ingrid Stroom, Live Music Estonia - (Estonia )

“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”

Marc Steens, Clubcircuit - (Belgium: Flanders )

“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”

Elda Gomez, ACCES - (Spain )

ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”

David Dehard, Court-Circuit - (Belgium: Wallonia & Brussels )

ʻʼAs a venue, we believe that the live music sector is insufficiently recognised as part of culture. Networks like Live DMA can amplify local voices. Being part of Live DMA help us gain knowledge from across Europe and find partners with similar challenges.ʼʼ

Ieva Irbina, LPNVA - (Latvia )

ʻʼ[European Cooperation] gives indeed vision: weʼre every day provided with mental-openness and support. It might seem imperceptible but itʼs fundamental to feel part of a wider ecosystem. It boosts our awareness as representative of a whole sector and this bring direct advantages to our members.ʼʼ

Federico Rasetti, KeepOn Live - (Italy )