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Communication Officer

Music is not noise – Report

Mar4

On the 20th & 21st of February, the Live Style Europe working group “Music is not noise” met in Trix, Antwerp (Belgium) to work on the challenges related to sound regulations. We drafted the working group so that it could address the challenges of sound regulations from a technical perspective,...

Protected: Poll on the resource platform

Feb14

There is no excerpt because this is a protected post.

Webinar Agent of Change

Feb14

On the 12th of February 2019, Live DMA hosted a webinar on the question of the Agent of Change principle with Mark Davyd, musical activist and CEO of Music Venue Trust who succeeded in implementing the Agent of Change principle in the UK law in August 2018. What is...

LSE Podcast – February 2019

Feb5

In this forth episode of the Live Style Europe radio show: Release of the Live DMA Online Resource Platform in December 2018. Short feedback on Live DMA’s activities at Eurosonic in January 2019. Interview with Arne Dee from VNPF, Live DMA’s member in the Netherlands Interview with Susann Hollmann,...

Music is no noise

Jan21

Live Style Europe working group – First session “Noise pollution in our towns and cities is increasing, blighting the lives of many European citizens. More than a nuisance, excessive noise is a health risk – contributing to cardiovascular diseases, for example. We need to act on the many sources...

“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”

Hilma Kekkonen, Svensk Live - (Sweden )

“It’s all about sharing and cooperation!”

Boris Colin, FEDELIMA - (France )

“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”

Ingrid Stroom, Live Music Estonia - (Estonia )

“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”

Marc Steens, Clubcircuit - (Belgium: Flanders )

“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”

Elda Gomez, ACCES - (Spain )

ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”

David Dehard, Court-Circuit - (Belgium: Wallonia & Brussels )

ʻʼAs a venue, we believe that the live music sector is insufficiently recognised as part of culture. Networks like Live DMA can amplify local voices. Being part of Live DMA help us gain knowledge from across Europe and find partners with similar challenges.ʼʼ

Ieva Irbina, LPNVA - (Latvia )

ʻʼ[European Cooperation] gives indeed vision: weʼre every day provided with mental-openness and support. It might seem imperceptible but itʼs fundamental to feel part of a wider ecosystem. It boosts our awareness as representative of a whole sector and this bring direct advantages to our members.ʼʼ

Federico Rasetti, KeepOn Live - (Italy )