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Communication Officer

Online Course on International Cooperation & Networking

Dec11

The European Music Council (EMC) and Live DMA (European Network for Music Venues and Festivals), developed an Online Course to help young music professionals from Western and especially from Eastern Europe to develop their own cooperation project and network of music professionals.Go through the course by yourself and ask...

LSE Podcast – November 2018

Nov29

In this second episode of the Live Style Europe radio show: Interview with Victor and Zivile Diawara, the two founders and directors of LOFTAS, music venue and cultural fabric in Vilnius, Lithuania Interview with Marc Wohlrabe, co-founder of the Berlin clubnetwork Clubcommission, board member of the German live music...

Living Together: Fostering Cultural Pluralism through the Arts

Nov8

The Report “Living Together: Fostering Cultural Pluralism Through the Arts” was published in July 2018 by the Istanbul Foundation for Culture and Arts. This study report is co-authored by Dr. Feyzi Baban from Trent Univeristy (Canada) and Dr. Kim Rygiel from Wilfrid Laurier University (Canada). The main focus of...

UK Live Music Census

Nov7

The report of the UK live music census was published in February 2018. This report is the result of a nationwide survey combining qualitative interviews at music events and responses of an online form for musicians, venues, promoters and audiences. The UK live music census intends to measure live...

Voices of Culture – Social Inclusion

Oct31

Be inclusive yourself! The role of culture for social inclusion Live DMA was selected to participate at the Voices of Culture structured dialogue on fostering the contribution of culture to social inclusion. The process took place from April to September 2018. This Brainstorming report on “Social Inclusion: partnering with other sectors” is the...

“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”

Hilma Kekkonen, Svensk Live - (Sweden )

“It’s all about sharing and cooperation!”

Boris Colin, FEDELIMA - (France )

“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”

Ingrid Stroom, Live Music Estonia - (Estonia )

“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”

Marc Steens, Clubcircuit - (Belgium: Flanders )

“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”

Elda Gomez, ACCES - (Spain )

ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”

David Dehard, Court-Circuit - (Belgium: Wallonia & Brussels )

ʻʼAs a venue, we believe that the live music sector is insufficiently recognised as part of culture. Networks like Live DMA can amplify local voices. Being part of Live DMA help us gain knowledge from across Europe and find partners with similar challenges.ʼʼ

Ieva Irbina, LPNVA - (Latvia )

ʻʼ[European Cooperation] gives indeed vision: weʼre every day provided with mental-openness and support. It might seem imperceptible but itʼs fundamental to feel part of a wider ecosystem. It boosts our awareness as representative of a whole sector and this bring direct advantages to our members.ʼʼ

Federico Rasetti, KeepOn Live - (Italy )