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publications

On this page, you can find publications of studies and reports.

ENCC – Local Networks: (a guide to) Reimagining the Work of Cultural Centres

May3

In 2020, Live DMA organized a Working Group on the theme of Cooperation and Representation Within the Music Sector. Read the reports of the Working Group here: Session 1 and Session 2. In March 2021, the European Network for Cultural Centers has released the guide Local Networks: Reimaninging the...

The Economic Impact of Music in Europe – Oxford Economics

Dec17

The IFPI, the trade body representing the recording industry worldwide, commissioned a report on the economic impact of music in Europe. This report quantifies the gross value added, employment and tax contributions the music sector made to the economies of the 27 Member States of the European Union (EU27)...

Analysis of market trends and gaps in funding needs for the music sector – SUMMARY

Nov23

The dialogue between the European Commission and music stakeholders which served as base for the Music Moves Europe programme has identified several challenges and opportunities for the European sector. In addition to a study on the Feasibility of a European Music Observatory, the European Commission asked for an analysis...

Feasibility study for the establishment of a European Music Observatory (EMO) – Summary

Nov23

Together with 11 other European music organisations, Live DMA is part of the advisory board of the feasibility study investigating a possible future full-scale establishment of a data collection organisation called The Observatory as a core strategic resource to drive relevance and value for future policy actions in the music portfolio and across the sector....

The Global Nighttime Recovery Plan

Sep17

In response to the severe and increasing vulnerability of global nighttime economies and cultures caused by COVID-19, the nightlife advocacy agency VibeLab reunited a set of experts on nighlife governance and urban planning from around the globe to work together on the Global Nighttime Recovery Plan (GNRP). The Global Nighttime Recovery Plan is a...

They talk about us

Institutions must recognize that we do important work for culture in general and for the development of young artists in particular. And yes, recognition needs also to come from the citizenship. Sometimes people pass by a club and think that strange or dangerous things happen there. And it is...

Miguel Tudanca - (Madrid (Spain) )

I would say that cooperation is a success story. The important question is, at which levels and with whom you cooperate. If you always do it all by yourself, it is unlikely that you will reach many people. Of course, there are people who realize that they are doing...

Gunnar Geßner - (Hannover (Germany) )

For me, Live DMA is a fantastic place to share and gain knowledge, exchange ideas and get inspiration from fellow European colleagues. We have common challenges that we together are in a better position so solve.

Anders Tangen - (Oslo )

I strongly believe that we must defend a European spirit, especially in these moments in which some evil forces are attacking a philosophy of life in which music, its enjoyment and its diffusion are a magnificent tool to defend cultural diversity and freedom of expression.

Armando Ruah - (Madrid )

It’s important that music can be recognized as a tool of “being together” at first. Live DMA has the duties not to forget social and cultural aspects of the music sector.

David Dehard - (Brussels )

Live DMA’s vision is that decision makers, the whole scene and the broad public see the role that clubs and festivals play in the whole ecosystem.

Isabelle Von Walterskirchen - (Zürich )

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